BRIAN GUIDRY
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The colors I use in my work have been sampled from the environment and are matched on site. The samples are taken into the studio where larger amounts of matched colors are mixed. Reflections from water, festering storm clouds and September's exhausted foliage are among the seasonal colors sampled from nature.

Analogue ~ Digital - This series of paintings uses sampled colors from the natural environment compressed into lines of color information. The structure of these paintings maintains a polarized organization. The optical and aural effects of purling water, the cross section of sediment and the droning oscillations of summer cicadas are among the alias composites of these landscapes. I start composing a painting with a single horizontal line as a strip of color information. The rest of the lines unfold intuitively thereafter following the internal structure defined by the paintings geometry.

 
     
 
 
 
Black Gold
hand-lined acrylic gouache on canvas
78" X 60 " 2009
 
     

 
Something in the Water
hand-lined acrylic gouache on wood
37" X 29" 2007
 
November Archive
hand-lined acrylic gouache on wood
37" X 29" 2007
 

 

 

FULIGINOUS TRUMP
acrylic on shaped wood 38" X 30"
LYCKA TILL
acrylic on shaped wood 29" X 23"
 
 

This body of work is an interpretation of colors sampled from the environment combined with forms that reference authoritative power and balance.  Though the surface of these shaped works are entirely flat, the illusion of three dimensionality creates a multifaceted portal which reference not only the specific forms found on various bank notes and international currency, but also forms found in nature. I am interested in the forces and processes that produce and control the phenomena of the material world. The colors I use are sampled from the landscape where I am currently working in South Louisiana. Reflections from water, menacing storm clouds and Septembers exhausted foliage are among the sources from which I reference.

power ~ manipulation
The concept of technology also plays a role in my work. The essence of technology –that being the manipulation of nature- has permeated the human psyche with its changing forms and motivations. This “essence” is not foreign, but part of the inherent driving force of the human spirit which strives to challenge nature to yield a kind of energy that can be independently stored and/or transmitted.

 

 

 
 

KLAVERSPATHE
acrylic, aluminum leaf & graphite on shaped wood 29 " X 24 "

 
NEPOTIST BUTTE
acrylic & graphite on shaped wood 35" X 30"
   
 
 

VICTORY OVER THE SUN
acrylic on shaped wood 41 " X 26.5 "

 
SIROCCO JARGON
acrylic & 24KT gold on shaped wood 30" X 25"
   
 

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Interpersonal Conflict

 
 
 

The Librarians are Smoking Again
acrylic on wood 37" X 29"

 
Cat Came Back
acrylic on wood 37" X 29"
   
 
 

Separation Anxiety
acrylic on wood 37" X 29"

 
Unilateral Fix
acrylic on wood 37" X 29"
   
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entropy

Near St. Claude Ave.
acrylic on wood 39" X 39" 2009
Under the House
acrylic on wood 39" X 39" 2009
 
Something in My Eyes
acrylic on wood 39" X 39" 2009
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view installation -QuickTime

SURGE

November 1, 2008 - January 31, 2009 | Washington Artillery Park

SURGE --site-specific, public installation set between the backdrop of the Mississippi River and Jackson Square. The painted objects used in the installation were extracted from various bodies of water throughout South Louisiana including the Mississippi River and Vermilion River. The color used for this installation was sampled from dried Johnson Grass (Sorghum Halepense) . Speakers placed throughout the objects brodcasted a 40 minute looping laughtrack edited to mimic the ebb and flow of the waters edge. 24 hour view.

 

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SLIPSTREAM view installation -QuickTime

 

Vivarium --painted objects extracted from the Vermilion River. The color used for this installation was sampled from dried Johnson Grass (Sorghum Halepense)

Kingdom --edited video; running time 43:06 minutes.
I edited four episodes of Mutual of Omaha's Wild Kingdom; removing the audio narration and humans speaking. Mutual of Omaha’s Wild Kingdom debuted on January 6, 1963 and ran through 1988. Its "real life" footage brought the wilds of Africa, the Amazon River and other exotic locales into the living rooms of millions of Americans.

 
 
 
view installation -QuickTime
 
 
view installation -QuickTime
 
 
installation video stills