BRIAN GUIDRY
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The colors I use in my work have been sampled from the natural environment and are matched on site. The samples are taken into the studio where larger amounts of matched colors are mixed. Reflections from water, festering storm clouds and September's exhausted foliage are among the seasonal colors gleaned from nature.

Analogue ~ Digital - A series of paintings using sampled colors from the natural environment compressed into lines of color information. The structure of these paintings maintains a polarized organization. The optical and aural effects of purling water, the cross section of sediment and the droning oscillations of summer cicadas are among the alias composites of these landscapes.

 

 
Something in the Water
hand-lined acrylic gouache on wood
37" X 29" 2007
 
November Archive
hand-lined acrylic gouache on wood
37" X 29" 2007
 

 

 

 

FULIGINOUS TRUMP
acrylic on shaped wood 38" X 30"
LYCKA TILL
acrylic on shaped wood 29" X 23"
 
 

While the surface of these works are flat, the shapes are extracted from banknotes and shapes found in nature (i.e., the shape of a stink bug), the works broadcast power, manipulation and natures reign over all. The colors I use in this body of work are sampled from the landscape and matched on site —the petal of a flower, a blade of sugarcane, a fallen Oak leaf, reflections from water, festering storm clouds and September's exhausted foliage are among the seasonal colors gleaned from nature.

The concept of technology also plays a role in my work. The essence of technology –that being the manipulation of nature- has permeated the human psyche with its changing forms and motivations. This “essence” is not foreign, but part of the inherent driving force of the human spirit which strives to challenge nature to yield a kind of energy that can be independently stored and/or transmitted.

 

 

 
KLAVERSPATHE | acrylic, aluminum & graphite on wood | 29" X 24"
 
 

NEPOTIST BUTTE
acrylic & graphite on shaped wood 35" X 30"

 
SIROCCO JARGON
acrylic & 24KT gold on shaped wood 30" X 25"
   
 

 

 

 

 

 

Interpersonal Conflict

These paintings explore the processed landscape of an invisible terrain -the invisible landscape of cellular communication, radio transmitters and other devices that compress space and time, and infiltrate the airways with multitudes of sticky frequencies. Colors are sampled from the natural environment.

 
 
 

The Librarians are Smoking Again
acrylic on wood 37" X 29"

 
Cat Came Back
acrylic on wood 37" X 29"
   
 
 

Separation Anxiety
acrylic on wood 37" X 29"

 
Unilateral Fix
acrylic on wood 37" X 29"
   
 
 
 


SLIPSTREAM installation view

Vivarium --painted objects extracted from the Vermilion River. The color used for this installation was sampled from dried Johnson Grass (Sorghum Halepense)

Kingdom --edited video; running time 43:06 minutes.
I edited four episodes of Mutual of Omaha's Wild Kingdom; removing the audio narration and humans speaking. Mutual of Omaha’s Wild Kingdom debuted on January 6, 1963 and ran through 1988. Its "real life" footage brought the wilds of Africa, the Amazon River and other exotic locales into the living rooms of millions of Americans.

 
 
 
installation view
 
 
installation view
 
 
installation video stills